{"id":16425,"date":"2018-03-19T22:09:23","date_gmt":"2018-03-19T21:09:23","guid":{"rendered":"http:\/\/www.paulinasfriends.com\/h-e-a-l-i-n-g\/"},"modified":"2018-04-03T19:33:23","modified_gmt":"2018-04-03T17:33:23","slug":"h-e-a-l-i-n-g","status":"publish","type":"post","link":"https:\/\/www.paulinasfriends.com\/en\/h-e-a-l-i-n-g\/","title":{"rendered":"H E A L I N G"},"content":{"rendered":"

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H E A L I N G<\/strong><\/h5>\n

Duration: April 2 – June 30, 2018<\/strong> Location: Concept Gallery PAULINA\u2019S FRIENDS, Gartenstr. 114, 10115 Berlin-Mitte<\/strong> Opening: Thursday, April 26.<\/span>, 7 pm<\/strong> Opening times: Monday – Saturday 12-7 pm<\/strong> Curator: Paulina Tsvetanova<\/strong><\/p>\n

Including 29 artists & designers awarded through a contest<\/a>\u00a0<\/span><\/em><\/strong><\/span><\/p>\n

Adi Davidoff, Andreas Brunolupo, Beate Flierl, Britta Schwalm, Claudia Hartwig, Dagmar Gester, Donat Fritschy, Doreen Trittel, Dr. Klaus Chmillon, Elisabeth Schneller, Eva Lippert, Evelyne M. Fricker, Graf Seibert, Gret Beth, Hannes Albert, Julia Antonia, Jutta Imelda Kanneberger, Lucy Libre, Lukas & Robertson, Pasquale Aleardi, Peter Schlangenbader, Philippe S\u00e9galard, Simone Birk, Tatawa (Wei Tan), Ulrike Hofmann-Sch\u00fcll, Uwe Schwarz, Valentina Pisarra, w e i s s \u00fcber den tod hinaus, Dr. Yoanna Planchette<\/strong><\/p>\n

Art exposes, shocks, transforms: fears, weaknesses, trauma. Inner conflicts, heart aches, losses. A re-flourishing, new beginning, healing. Our artists and designers tell stories of strength, hope, love, and redemption, that inspire the answers to life\u2019s important questions.<\/p>\n

The exhibit includes the HEALING Festival<\/strong><\/a>: interactive workshops and courses on Bodywork, self-awareness, mindfulness, and work-life balance<\/strong>. More information about all topics at:\u00a0https:\/\/www.paulinasfriends.com\/en\/healing-festival\/<\/a><\/u><\/p>\n

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Adi Davidoff<\/a>\u00a0<\/strong><\/h5>\n

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Adi Davidoff<\/strong><\/a> (*1978) lives and works in Berlin. She completed her art education in Sofia, Paris, Berlin, and Seville. Her works are owned by: Museo del Baile Flamenco Christina Hoyos, Alliance Fran\u00e7aise Kasanlak, and the Bulgarian Embassy in Madrid. Between 2014 and 2015, she studied photography at the New School of Photography, Berlin.<\/p>\n

o.T.<\/strong> 30×40, Colored Pencil and Oil Pastel,\u00a0Edition: 1, 2017, 450 \u20ac<\/p>\n

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Andreas Brunolupo<\/strong><\/a><\/h5>\n

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BRUNOLUPO<\/a>\u00a0(*1961) is a sculptor and architect. He studied with J\u00fcrgen Weber, Peter F\u00e4rber, Hinnerk Wehberg, Matthias Koeppel, Wolf Kahlen, and Ute Safrin, among others. After a pause in his career, he refocused on sculpture and art. He creates emotionally expressive ceramic sculptures. Every figure is unique in its own handwriting. His creations combine watercolor, photography, and work in cement, wood, and paint.<\/p>\n

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Beate Flierl\u00a0<\/strong><\/a><\/h5>\n

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Beate Flierl<\/b> (*1959) was born in Berlin. She completed a weaving apprenticeship (1975-1977), studied applied art and textiles in Schneeberg (1977-80), and has been a self-employed textile artist since 1981. In 1990, she founded the association Offene Kunstwerkstatt e.V., where various artistic workshops are offered. She has taught textile art since 1990 and has worked on sociocultural projects since 1991. Since 1996, her work has been included in fashion shows and dance performances and since 2002 she has been learning shamanistic healing techniques for both the earth and for humans. Since 2005, she has been consciously combing art and healing, and in 2007, she began the center for nature- and healing projects, exhibits, and textile workshops opened in Warthe \/ Eckermark. Her work has been exhibited in and around Berlin, as well as in Munich, Moscow, Mexico, Tallin, including watercolor, batik, woven cloth, apparel, and tapestry. More information at: https:\/\/www.paulinasfriends.com\/en\/project\/beate-flierl\/<\/a><\/u><\/span><\/span><\/p>\n

PACHA MAMA<\/strong>, handwoven tapestry, 30 000,- \u20ac<\/p>\n

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Britta Schwalm\u00a0<\/strong><\/a><\/h5>\n

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\u201cGl\u00fcckskind\u201d (Child of Fortune) \u2013 <\/b>this work consists of a ring, inside which lies a baby named Jamie. As long as one wears the ring on their finger, the baby is not visible. There is another baby on the outside surface of the ring, named Sam. But only the baby on the inside can do wonderful things. Jamie, as well as Sam, can be given as a birthday present. Jamie has comforting powers when a mother, father, or grandparent has lost a child, no matter how long ago the loss was. Time plays no roll in grief and death. Many families have said that the ring gives them power, courage and faith in their lives. But I am not the only artist involved in the process of creation, as Jamie is made as per the ring owners request. The ability to shape the ring is a significant moment in the healing process. A stone, date, asterisk, or angel wings may also be engraved. Every ring is an individual work of art, and the ability to shape the ring allows parents momentary power to bring their child back. They can feel their child again at any time.<\/p>\n

Many healing rings have arisen out of this collaboration. Sometimes the bereaved is so open and brave as to allow me to publish their letters, or leave comments on the homepage. I also have so many photos of gravestones and letters filled with words of thanks, that are not suitable to publish, to protect the privacy of the bereaved.<\/p>\n

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Claudia Hartwig<\/strong><\/a><\/h5>\n

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\u201cWhen distance digs a trench, we live with cracks. In the course of time, hope is the driving force to reunite the separated. I was born in Germany, with a protective wall and a barbed wire fence. My parents were expelled when I was seventeen. The loss was overpowering, and put me in a state of limbo. The search for identity runs like a red thread through my artwork, revealing itself in sculptures and objects, originally made of jute, linen and wire. The process of concealing and rendering visible is important in my work, an interplay that creates tensions in my sculptures. I am concerned with an energy that can combine opposites. I transfer my energy to my objects like a Shaman. Development, growth, and maturity are important in my paper-clay work. The sculptures are new expectations of hidden forces.\u201d \u2013\u00a0 Claudia Hartwig.<\/a><\/p>\n

Reifezeit I (Adolescence)<\/b>, paper yarn, 130 x 50 x 30 cm, 2017, <\/b>2600\u00a0\u20ac<\/p>\n

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Dagmar Gester<\/a><\/strong><\/h5>\n

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Dagmar Gester<\/a> focuses on the search for home \u2013probably the most important search of our lives. Her serial image-text works create space that welcome us into this theme, as she brings us closer to the inexpressible, the unimaginable, and the invisible. Her art is both skilled and aesthetically pleasing.<\/p>\n

From the series \u201cWas bleibt. Fluchtgep\u00e4ck\u201d (What Remains. Flight Luggage)<\/strong>, 5th edition (2 artist proofs and 3 for sale), graduated prices: #1\/5 \u20ac833, #2\/5 \u20ac1,071, #3\/5 \u20ac1,309. To be purchased in groups of at least two.<\/p>\n

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Donat Fritschy<\/strong><\/a><\/h5>\n

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Donat Fritschy<\/a>\u00a0<\/b>prefers to work with stone and wood. His sculptures develop intuitively, often with organic forms that invite the touch. The hardness of materials contrasts with the feeling of its polished surface \u2013 hard becomes soft. Larger work involves a concept and structured execution, but in the background lies an important transition \u2013 a stele whose surface gradually changes, or a smooth granite roll. Other works touch on pain, wounds, and their healing.<\/p>\n

Donat Fritschy, computer scientist and freelance sculptor, born 1956. Lives and works in Bern (Switzerland).<\/p>\n

Der Schrei (The Cry)<\/b>, 2009, Cristallina marble, 15 x 50 x 36 cm, 950 \u20ac<\/p>\n

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Doreen Trittel – HEHOCRA<\/strong><\/a><\/h5>\n

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Schie\u00dfen f\u00fcr den Frieden (Shoot for Peace)<\/b>, number 6|2017, set of 3, two-part installation\/object, target with thread, beads, and sequins embroidered in the bullet trap (black metal). Each 15 x 16 x 5 cm, 2017, 360 \u20ac<\/p>\n

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Doreen Trittel<\/a>:\u00a0Doreen Trittel: \u201cArt is for me a chance for change and personal growth. It is for me a way through the maze of life, at whose entrance stands anxiety. I always wanted to ask questions that I didn\u2019t know existed. I always push boundaries. I want to spark change, as change begins with us. In collage, installation, and photography, I grapple with my memories. I observe and reflect objects, place them in new contexts and transform them. I am fascinated with the transformation process of the past, present, and future. A focus of my work lies in my east German migrant background, and my experience as stasikind. <\/i>I was born in 1973 in East Germany.<\/p>\n

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Dr. Klaus Chmillon<\/strong><\/h5>\n

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\u201cReanimation\u201d symbolizes the heart attack of a sea snail. This light object is technically elaborate, with a unique snail heartbeat. Important here is the dynamic of light and sound. Retrospectively, this work of art has great significance for me, an important step in helping me recover self- identity lost in illness. \u201cReanimation\u201d is not only a biological process, but also an event, the restoration of something lost.<\/p>\n

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The sudden end of a promising career, falling into an abyss of permanent pain, life-threatening operations, because of an illness without a cure. <\/i><\/p>\n

\u201cMost of my work is mounted on small tables (mesas). The objects include various light mechanisms. I mainly use brushed stainless steel and precious African bronze figures made with the lost wax process. They come from Mali (Dogon), and are very rare antiques (Sahel war zone). I use elegant modern figures of Ouagadougou from Burkina Faso. My design goal is always the creation of a strong emotional response.\u201d<\/p>\n

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Elisabeth Schneller<\/strong><\/a><\/h5>\n

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\u201cIn a time with painful questions of open relationships and subsequent separations, I feel that my injuries and sadness are incorporated into clay. Female torsos reflect my emotions. In the time of #MeToo, the torsos are explosively timely, as questions of womanhood, vulnerability, boundaries, powerlessness, anger, grief, and self-esteem are discussed worldwide. A single torso says more than a thousand words.\u201d \u2013\u00a0 Elisabeth Schneller<\/a><\/p>\n

Torso \u201cBeengt\u201d (Constricted Torso)<\/b>, 2015, 41 x 24 x 19 cm, black clay with rusty chain, 750\u00a0\u20ac<\/p>\n

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Eva Lippert<\/strong><\/a><\/h5>\n

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\u201cMy work wants to tell stories. It is inspired by personal experience, dreams, travels in foreign cultures, and from nature, sometimes current events. The ideas are combined through different techniques, such as weaving, embroidery, knitting, collages, printing, painting, and the incorporation of found objects, and help me process impressions.\u201d \u2013\u00a0Eva Lippert<\/a>.<\/p>\n

Metamorphose (Metamorphosis)<\/b>, woodcut on Japanese paper, netting, textile collage and Birchwood frame, 72\/79 cm, 1.200 \u20ac<\/p>\n

\u201cThe person embedded in the tree root can be understood in different ways. Perhaps he died, and from him something new will develop. Perhaps a new phase of life begins for him. He is not alone, but rather is watched by a mermaid and diver. It was important to me to capture the mood of dreams in which our subconscious shows us the way.\u201d<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.105″ background_layout=”light”]<\/p>\n

Evelyne M. Fricker<\/strong><\/a><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_3″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/Zeichnung_010.jpg” url=”https:\/\/www.paulinasfriends.com\/project\/evelyne-fricker\/” \/][\/et_pb_column][et_pb_column type=”1_3″][et_pb_image _builder_version=”3.0.105″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/Zeichnung_030.jpg” url=”https:\/\/www.paulinasfriends.com\/project\/evelyne-fricker\/” \/][\/et_pb_column][et_pb_column type=”1_3″][et_pb_image _builder_version=”3.0.105″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/Zeichnung_024.jpg” url=”https:\/\/www.paulinasfriends.com\/project\/evelyne-fricker\/” \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Graf Seibert<\/strong><\/a><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/02\/anorexic_bed_small.jpg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/graf-seibert\/” \/][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Anorexic Bed<\/strong>,\u00a0steel, foam, fabrics, 210 x 40 x 70cm, photo: Bartosz Plodovski, 4.600 \u20ac<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/02\/depressive_lamp_small.jpg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/graf-seibert\/” \/][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Depressed Lamp<\/strong>,\u00a0concrete, steel, electrics, 250 x 60 x 160 cm, photo: Bartosz Plodovski, 3.800 \u20ac<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

PSYCHO FURNITURE<\/strong><\/a><\/p>\n

Despite living in one of the wealthiest and most stable countries in the world, recent\u00a0studies show a staggering increase of 76% in the diagnosis of mental illnesses over\u00a0the last 10 years. Almost 40% of high school students in the USA are on Retalin\u00a0prescritions. More and more members of our performance-oriented society have a\u00a0difficult time coping with the pressures of having to keep up.\u00a0In many places mental disorders are still considered a topic that is taboo. Having a\u00a0mental disorder is viewed with the same stigma as a facial tattoo. More than a few\u00a0people visibly display their pain through self-inflicted injury. Even though the wounds\u00a0may heal, the scars remain.\u00a0These pains are not unfamiliar to both Patricia Yasmine Graf and Fabian Seibert<\/a>, as you can imagine.\u00a0Imagine walking across the world\u2019s biggest furniture fair: tons of design pieces in\u00a0endless variations totally overwhelm you. Smartness and prettiness.\u00a0What would happen if Graf Seibert\u2019s furniture pieces could not withstand the pressure\u00a0and develop mental problems of their own? Does a depressive lamp give light or\u00a0does it symbolise the dark side of our meritocratic society? Is an anorexic bed still of\u00a0some practical use?<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Gret Beth<\/strong><\/a><\/h5>\n

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re:form I + II<\/strong>, Email auf Stahl, Graphit, 25 x 25 cm<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.105″ background_layout=”light”]<\/p>\n

Hannes Albert<\/strong><\/a><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/02\/IMG_7518.jpg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/hannes-albert\/” \/][\/et_pb_column][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.106″ src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/02\/IMG_7514.jpg” show_in_lightbox=”off” url=”https:\/\/www.paulinasfriends.com\/en\/project\/hannes-albert\/” url_new_window=”off” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

KRAFT<\/strong>, 85 x 55 x 55 cm, 2015, oak wood, 3200 \u20ac<\/p>\n

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KNOW THAT EVERYTHING TURNS OUT TO BE GOOD!<\/strong><\/em><\/p>\n

The eagle<\/strong>\u00a0is a mighty, majestic animal. Kings, aristocratic houses, the Federal Republic of Germany have him as heraldic animal. With the Indians of North America, it symbolizes the great spirit. He pulls his circles confidently at great heights, uses thermals and currents to hover effortlessly. Contemplative, calm, calm, easy, light, waiting to surprise his prey at the right moment with high speed in a dive. The prey dies, completely surprised without fear within a few fractions of a second by the impact of the impact. No bloodbath, no slaughter, no long torture. Short, painless, precise. I had the idea for this work in a difficult life situation in which I felt discouraged and emaciated. And there I wished for the strength, accuracy, calmness and clarity of the eagle. The eagle\u2019s ability to do the job at the right moment without a lot of attention.<\/p>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Simone Birk<\/strong><\/a><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_3″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/02\/Fr\u00fchling-_-spring-Acryl-auf-Papier-_-acrylic-on-paper-_-2018-_-40cm-_-50-cm-480-Euro-.jpeg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/simone-birk\/” \/][\/et_pb_column][et_pb_column type=”2_3″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Simone Birk<\/a>: \u201cIn my painterly creations, I hope to reflect emotions back to the viewer. I use various techniques and materials such as clay, wood, and stone. For a few years I have also been devoted to painting.\u201d<\/p>\n

Fr\u00fchling<\/strong>, acrylic on paper, 2018, 40cm \/ 50 cm, 480 \u20ac<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.106″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Julia Antonia<\/strong><\/a><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/IMG_8251.jpeg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/julia-antonia\/” \/][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Julia Antonia<\/a>:\u00a0\u201cDuring a meeting with a shamanic therapist, I imagined that strong internal spaces such as the ones here, which I sketched right after therapy. This is a concrete inner space of healing for a close friend. The picture is not yet finished\u2026\u201d<\/p>\n

vindeca sunete <\/b>(healing sounds in Romanian), 2018, 100 x 100 cm, framed in shadow gap,<\/span> nettle, from the series \u201cTherapy\u201d<\/span>\u00a02,800\u00a0\u20ac<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Jutta Imelda Kanneberger<\/strong><\/a><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_3″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/02\/3.-Aquarell-Selbstdarstellung-80-verkleinert-bea..jpg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/jutta-imelda-kanneberger\/” \/][\/et_pb_column][et_pb_column type=”1_3″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/02\/2.-Aquarell-Selbstdarstellung601-zugesch.-verkl.bea_..jpg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/jutta-imelda-kanneberger\/” \/][\/et_pb_column][et_pb_column type=”1_3″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/02\/1.-Aquarell-Selbstdarstellung736-zugesch.verkl_.-bea..jpg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/jutta-imelda-kanneberger\/” \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

\u201cI had four miscarriages, and displaced the pain. In March 2006, I was diagnosed with breast cancer in the left middle of my chest. After the initial operation, results showed that I had to have an additional operation. I opted for the radical surgery without reconstruction, for survival. I am an Amazon. During Chemo, there was a mistake with one of four intravenous needles, placed in the right crook of my arm that destroyed the tissue. I could have taken the doctors to court for negligence, but I had no strength. In 2006, my life changed forever. I found my new mantra: What stays? Forever! I approach philosophical questions photo series and spatial productions. I stopped working as a stage and costume designer.\u201d\u00a0so Jutta Imelda Kanneberger.<\/a><\/p>\n

Selbstportrait (self portrait), <\/b>three part watercolor series, 2006, ca. 17 x 24 cm, 450\u00a0\u20ac<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Lucy Libre\u00a0<\/strong><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.105″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/TOTAL-ECLIPSE-OF-THE-HEART-lucylibre5.jpeg” \/][\/et_pb_column][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.106″ src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/TOTAL-ECLIPSE-OF-THE-HEART-lucylibre6.jpeg” show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Total Eclipse of the Heart, <\/b>pendant series, \u201cMilagritos\u201d (small wonder), leather<\/p>\n

A large pendant in bright colors that protects your own heart underneath from anxiety, lovesickness, and fear. One is reminded again and again of his requests by the pendant due to the size and conspicuousness of the jewelry.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Lukas & Robertson<\/strong><\/a><\/h5>\n

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Beast & Beauty otoman,\u00a0<\/strong>L 200 cm x B 80 cm x H 50 cm x G 60 kg |\u00a0hand-carved\u00a0hoofs and horns\u00a0in\u00a0walnut tree |\u00a0leather and fur | petticoat\u00a0\u00c9litis,\u00a08500 \u20ac<\/p>\n

The work is using its aethetics and spirit of the Beauty&Beast story to calm one\u00b4s soul and heal his body.\u00a0Equipped with horns for sophisticated\u00a0relaxing.<\/p>\n

More about Lukas & Robertson here.<\/a><\/p>\n

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Pasquale Aleardi<\/strong><\/a><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/image1.jpeg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/pasquale-aleardi\/” \/][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Sturmtief Burglind (Low Pressure Front Burglind), Photograph<\/strong>,\u00a065 x 53 cm, oak frame, 44,5 x 31,7 cm photograph,\u00a0620 \u20ac<\/p>\n

When I feel gloomy inwardly while it is gloomy outside, I capture the moment: figuratively, in writing, or in music. In this case, I was on my way to Berlin on the ICE and felt upset because I got sick, and was unsure about my upcoming concerts. The view of the storm \u201cBurglind\u201d gave me the rest. But whenever I feel down, I decide not to let myself stay down. These captured moments remind me to be courageous! I remind myself that every crisis, as well as every storm, passes and can be overcome!\u201d\u00a0Pasquale Aleardi<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Tatawa (Wei Tan)<\/a><\/strong><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/The-Storeroom-Had-a-Stomach-Flu.jpg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/tatawa-wei-tan\/” \/][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Tatawa (Wei Tan)<\/a>: “My interpretation of “HEALING” is to heal through the act of purging. Each of my abstract paintings is a journal entry and a self-revelation through improvisation. Like making soup, materials are thrown onto the canvas and mixed together through spontaneous gesture. Often a period of mindless doodling is carried out before the painting settles down with an unexpected coherence. The process of improvisation and automatic drawing allow thoughts from the subconscious to emerge. The paintings exist in a space between the real and the abstract, where real-life objects float in a sea of abstract colours and forms. The everyday objects in the paintings – such as cups, boxes, windows and ladders – represent the meaningless clutter in the mind. By releasing these objects onto the canvas the mind is cleared and cleansed.” The Storeroom Had a Stomach Flu<\/strong>, Mixed Media on Canvas, 100 x 120 cm, 2350 \u20ac<\/p>\n

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PHILIPPE S\u00c9GALARD<\/strong><\/a><\/h5>\n

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Printemps japonais<\/strong>, 2016,\u00a0Oil on canvas, 65 x 81 cm,\u00a02000 \u20ac<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Philippe S\u00e9galard<\/a>:\u00a0This is healing time. Spring.\u00a0Japanese’s spring because of space, the way space is represented. Happy energy of spring, as now the very long winter, which didn’t want to finish, has ended. It is not only the winter of time, every years winter, but of course a glimpse to the winter of Richard III:\u00a0Now is the winter of our discontent…And so, now this winter of our discontent is over.\u00a0The field can wear the proud and powerful colors of Spring. And the strange shadow of a bridge…The white figure, mysterious just in front of the painting that probably comes from that winter. And underneath, just a calm music player.\u00a0This is the kind of healing this work proposes.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.105″ background_layout=”light”]<\/p>\n

Peter Schlangenbader<\/strong><\/a><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/010.jpg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/peter-schlangenbader\/” \/][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

\u201cThe painted flat screen with the motive \u201creigen\u201d (\u2018circle dance\u2019, after Arthur Schnitzler\u2019s novel) shows the present and future dance of our desires, obsessions, and fetishes, which keep us from clear knowledge. The changing love carousel of a futuristic society. Future is now!\u201d\u00a0\u00a0Peter Schlangenbader<\/a><\/span><\/p>\n

Reigen<\/b><\/span> (Circle Dance), <\/b><\/span>acrylic\/flat screen, 150 x 176 x 55 cm, <\/span>7,500 \u20ac<\/span><\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.105″ background_layout=”light”]<\/p>\n

Uwe Schwarz<\/strong><\/a><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.105″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/Fortuna108.jpg” url=”https:\/\/www.paulinasfriends.com\/project\/uwe-schwarz\/” \/][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Uwe Schwarz\u00a0<\/a>uses experiments of various pictorial possibilities to express his critique of civilization. With his metaphorically symbolist, sarcastic, subtle works, he turns against human self-overestimation, emotional numbness and the obnoxious indifference which goes hand in hand with selfishness and bears destructive traits. He gladly reaches into the treasure chest of the cultural history of humanity to keep the observer\u2019s eyes on the mirror, over and over again.\u201d \u2013 Karin Weber<\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Fortuna<\/strong>, Bronze figure with painted acrylic disk, height 32 cm, 600 \u20ac<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Ulrike Hofmann-Sch\u00fcll<\/strong><\/a><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.106″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/01_Hofmann-Schuell.jpg” url=”https:\/\/www.paulinasfriends.com\/en\/project\/ulrike-hofmann-schuell\/” \/][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Ulrike Hofmann-Sch\u00fcll<\/strong><\/a><\/p>\n

All jewely by Ulrike Hofmann-Sch\u00fcll are unique pieces made of silver, gold, brass, copper, or iron and are often combined with gemstones. Trained in artisanal metalworking and forming techniques, she has the capability to carry out her many ideas. A few years ago, she began creating entirely new, exciting forms of jewelry: large, light, asymmetrical shapes incorporating luminous faceted stones. Hofmann-Sch\u00fcll\u2019s creative power became even more intuitive, dynamic, and far-reaching. She has written a book about this journey, entitled \u201cUp to the stars and back: About the creative process.\u201d<\/p>\n

Sternenbahnen (<\/strong>Star Tracks)<\/strong>, necklace, unique, 2012, Height 35 x width 29 x depth 1.5 cm, weight 170 grams, 925\/000 Silver with natural oxide. Stone: Zirkonia pink<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Dr. Yoanna Planchette<\/strong><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.105″ show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/Anatomie-de-lesprit_Echapp\u00e9e-belle_Yoanna-Planchette-1_cr.jpg” url=”https:\/\/www.paulinasfriends.com\/project\/ulrike-hofmann-schuell\/” \/][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

La lutte \u00e9ternelle entre le mat\u00e9riel et le spirituel, entre le corps et l\u2019esprit… lorsque l\u2019\u00e2me aspire \u00e0 s\u2019\u00e9vader dans une autre r\u00e9alit\u00e9, plus pure, plus parfaite que l\u2019image du fant\u00f4me qui la retient sur terre. Un r\u00e9el combat entre la vie et la mort, lorsque l\u2019art demeure le seul moyen de s\u2019enfuir, un rem\u00e8de miracle, plus puissant pour affronter et plus durable pour \u00e9chapper au p\u00e9ril…<\/p>\n

The eternal fight between matter and spirit, between body and soul\u2026 Sometimes the soul longs for another reality, purer and more perfect than the image of the phantom that has arrested her on earth. A real fight between life and death. Sometimes art is the only permanent means of escape.<\/p>\n

Anatomie des Geistes (Anatomy of the Soul)<\/strong>, H 29.5 cm x B 21 cm, Acrylic paint, collage, felt-tipped pen, framed<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.105″ background_layout=”light”]<\/p>\n

Valentina Pisarra\u00a0<\/strong><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_4″][et_pb_image _builder_version=”3.0.105″ show_in_lightbox=”on” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/received_1781433548534647.jpeg” \/][\/et_pb_column][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.105″ src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/received_1781433575201311.jpeg” show_in_lightbox=”on” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” \/][\/et_pb_column][et_pb_column type=”1_4″][et_pb_image _builder_version=”3.0.105″ show_in_lightbox=”on” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/received_1781433561867979.jpeg” \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

w e i s s \u00fcber den tod hinaus<\/strong><\/a><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_image _builder_version=”3.0.106″ src=”https:\/\/www.paulinasfriends.com\/wp-content\/uploads\/2018\/03\/IMG_0128.jpg” show_in_lightbox=”off” url_new_window=”on” use_overlay=”off” always_center_on_mobile=”on” force_fullwidth=”off” show_bottom_space=”on” url=”https:\/\/www.paulinasfriends.com\/en\/project\/w-e-i-s-s-ueber-den-tod-hinaus\/” \/][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text _builder_version=”3.0.106″ background_layout=”light”]<\/p>\n

Our last moments do not have to be arbitrary, but can be designed consciously. In addition to death, coffins, urns, and mourning jewelry designed and crafted by the artists, artistically designed and crafted, w e i s s \u00fcber den tod hinaus offers insightful and artistically competent advice on all farewell art topics.<\/p>\n

Es gibt auch ein Leben vor dem Tod (There is also a life before death) <\/strong><\/a>interview with Lydia Gastroph, founder of w e i s s \u00fcber den tod hinaus<\/a>. <\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_divider _builder_version=”3.0.105″ show_divider=”on” color=”#b28653″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Kunst entbl\u00f6\u00dft, ersch\u00fcttert, transformiert: \u00c4ngste, Schw\u00e4chen, Traumata. Oder ein Wiederaufbl\u00fchen, Neuanfang, Heilung…<\/p>\n","protected":false},"author":1,"featured_media":16123,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[82],"tags":[],"class_list":["post-16425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"yoast_head":"\nH E A L I N G - PAULINA'S FRIENDS<\/title>\n<meta name=\"description\" content=\"HEALING: Kunst entbl\u00f6\u00dft, ersch\u00fcttert, transformiert: \u00c4ngste, Schw\u00e4chen, Traumata. Innere Konflikte, Herzschmerzen, Verluste. Ein Wiederaufbl\u00fchen, Neuanfang, Heilung. Unsere K\u00fcnstler & Designer erz\u00e4hlen Geschichten von St\u00e4rke, Hoffnung, Liebe & pers\u00f6nlicher Erl\u00f6sung, die befl\u00fcgeln und wichtige Lebensfragen beantworten.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.paulinasfriends.com\/en\/h-e-a-l-i-n-g\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"H E A L I N G - PAULINA'S FRIENDS\" \/>\n<meta property=\"og:description\" content=\"HEALING: Kunst entbl\u00f6\u00dft, ersch\u00fcttert, transformiert: \u00c4ngste, Schw\u00e4chen, Traumata. Innere Konflikte, Herzschmerzen, Verluste. Ein Wiederaufbl\u00fchen, Neuanfang, Heilung. 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