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Pasquale Aleardi

Pasquale Aleardi

Pasquale Aleardi

Pasquale Aleardi

From music over acting to photography

The actor and musician Pasquale Aleardi demonstrates his versability in more than 80 national and international TV and feature film productions like Resident EvilKeinohrhasenGotthard” or in his own TV crime series, as Detective Dupin, an adaptation of the best selling novels. 2017 Aleardi won the Swiss TV award for Best Actor for his performance in Gotthard. Ever since he has been performing in the Broadway Musical Chicago” in New York, he is successfully staging his passion for music. With his band Pasquale Aleardi & Die Phonauten” he is celebrating their anti-depression music” consisting of their own compositions – an infectious mixture of soul, pop and funk.

http://www.pasqualealeardi.com

https://de.wikipedia.org/wiki/Pasquale_Aleardi

Photo: Copyright Jens Koch

Music lead me straight into acting which again made me learn to appreciate photography. The older I get, the more my fascination and curiosity for all types of performing arts is growing. They have become an indispenable source of life and inspiration to me. At this moment in time what is fascinating to me in particular about photography is that it is possible to capture a unique moment from different perspectives forever through the use of effects like dissolves.”

Dagmar Gester

Dagmar Gester

Dagmar Gester

Dagmar Gester

What remains…

Dagmar Gester faces our need for affiliation in a focused and touching way – which is probably the most important search of our lives. Her serial image-text works create a resonant space that brings us into the topic and into responsibility. She succeeds in distilling, bringing us closer to the inexpressible, the unimaginable, the invisible. Her art is both equally high-quality as aesthetically pleasing.

www.gester.eu

WHAT REMAINS

The series “What remains. Refugee Luggage” shows objects that refugees have brought with them to Germany. These are objects that were so important to them that they didn’t want to leave them behind – or they became so important along the way that they acquired existential meaning for the refugees. The project is the result of my exploration into ways to mediate the loss of home and identity. I have developed a concept that relates the viewer to the works. In the presentation, I focus on that which remains: refugee luggage. The owners of the things are themselves not present, though they are brought back into the picture indirectly through the display notes. As the refugees are not themselves visible, they don’t become representatives of a particular situation, crisis or catastrophe. In this way, the work’s universal, existential approach is entangled with the particular in each individual fate, and so a plurality of individual fates is written into the work’s general existential message. The motifs are hung in frames detached from the print; a gap yawns between the print and the picture. This corresponds to the depicted objects, which are divorced from their functions in the refugees’ memory, taking on a new meaning, an almost metaphysical value. The refugee baggage is framed, not the photographs; a space arises between the work of art and the world.

aus der Serie „Was bleibt. Fluchtgepäck“ (What Remains. Flight Luggage), 5er Edition (2 Artist Proofs und 3 zum Verkauf), gestaffelte Preise: 1/5: 833,- €, 2/5: 1.071,- €, 3/5: 1.309,- €, Verkauf ab zwei Kunstwerken

aus der Serie „Parikel. Geschichtstatort Berliner Luftbrücke -70 Jahre danach“ (Partikel. The Berlin Airlifts‘ Historical Scene 70 years after): rahmenlose Bildhalter auf Wunsch 30,- €

Particle. The Berlin Airlift’s historical scene – 70 years after

The reprisals have begun. In diplomatic language they call them sanctions.“ Writes Ruth Andreas-Friedrich in her diary on June 24, 1948, and continues: “No radio, no light, no electricity for cooking, which means – like so many times before – no way of heating up a little water for coffee.” Nowadays, I cook my coffee, where once the “Candy Bombers” landed. 70 years after the beginning of the Berlin blockade, hardly anything of these past events can be felt at the historic scene, as the airport and the approach flight path are turned into parks and recreational areas. However, relics of the earlier period have been preserved, fenced and museumized (runway, landing fire, remnants of the forced labor camp of the Evangelical Church). Here, history, present and future intermingle and begin to merge with each other particle-wise. I create a picture-chronicle, which combines my today’s photographic notes with the diary notes of the resistance fighter Ruth Andreas-Friedrich from 1948 and am likewise creating an entanglement of the history and meaning levels. Yet my work also deals with the ideological and visual perception of reality: While the Cold War began with the Berlin blockade, the world seemed open to each other again with the fall of the Berlin Wall. But nowadays, many long for the “good old days” of alleged clarity in rejecting our diverse, differentiated and hybrid reality. At the same time, I question popular notions of the visible world conveyed through photography. Because they shape the view of reality and our relationship to it and thus our relationship to ourselves. Therefore, my photos are deliberately kept black and white. They are current spacers to the present. As complex as my work is, so complex is the title of my work. “Particles” refers to the fog at the Tempelhof Airport, which delayed the taking off and landing of the “Candy Bombers”. Particles in the air made visibility difficult. But it is also a reference to the images of my search for clues, which always show only part of the complex situation.

Jutta Imelda Kanneberger

Jutta Imelda Kanneberger

Jutta Imelda Kanneberger

Jutta Imelda Kanneberger

EXPERIENCES SHOWING, SHARING & BEWITCHING

In collages, sensual experiential installations and photo series Jutta Imelda Kanneberger develops new artistic perspectives from her numerous experiences as a stage designer and costume designer in various European cities. They focus are on current political positions, aesthetics and philosophy.

www.juimka.de

Photo size: about 30 x 42 cm (possibly larger on request), small edition: Price on request

hehocra

hehocra

hehocra: Studio for Memory and Change

hehocra: Studio for Memory and Change

Change starts with us

Using collages, installations, objects and photography, Doreen Trittel utilizes different ways to address her main topics: Memory and Change. She is doing so by mixing, combining different materials and forms of expression. This diversity in styles and techniques allows her to address fundamental questions of life and enables changes of perspective. Captivated by this metamorphosis from the past to the present and into the future, Doreen Trittel sees this as a tremendous opportunity for positive change and internal growth.

www.hehocra.de

Prices on request

Ralph Lagoi

Ralph Lagoi

Ralph Lagoi

Ralph Lagoi

 

 

☆EXPLOSION!☆DESTRUCTION!☆CREATION!☆CELEBRATION!☆

Erquy
 Boca Raton Fau
 Boca Raton Fau
Florida
Erquy
Erquy
 Boca Raton Fau
Florida
Florida
Erquy

prices on request