Juan & Antonio

Juan & Antonio

Juan & Antonio

IS IT JUAN OR IS ANTONIO? IT’S ACTUALLY BOTH, JUAN AND ANTONIO.

Six years ago the Colombian Artist Juan Hoyos found himself on a completely new life situation as he moved from his hometown in Bogotá to a new place in Miami, Florida. One day walking on the beach after a hard day and many unsuccessful months trying to find his place as an artist in the city Juan met his doppelganger: Antonio Castello.

Since that day Juan and Antonio have been working together as a creative couple. While Juan is the brain behind the operations, the social guy that easily get access to all kind of events and situations meeting other artists and curators, Antonio is the one taking care of the art pieces; somehow shy and introvert Antonio is most of the time in the studio, behind the camera, setting the colors, the frame and on time to time the paintings.

Over the last years Juan and Antonio created an inseparable link, one so strong that you will probably find hard to know who is who, as the one can’t live with out the other.

However this has taken the couple to unpleasant situations, sometimes Juan is confused with his twin and forced to say hi to people who only know him as Antonio, or that day in which Antonio was forbidden to get access to a private event as he was on the guest list under the name of Juan.

Overwhelmed by the multiple mistakes and confusions Juan and Antonio moved last year to Berlin to start again, here they decided to create a photography journey in which the main characters (them) are easily recognized. In this series we can see the pair in their private home living an ordinary couple life, getting lost around Berlin or enjoy a vacation in a new destination.

An important part of their series is the recreation of classic paintings in which Juan plays the part of the model and Antonio sets the stage and Works behind the camera, after the Photo is ready Antonio then paints directly on the glass.

For more information about the artist check out his homepage: http://www.antoniocastello.us/

Industrial Authentics

Industrial Authentics

Industrial Authentics

The Blom & Blom Brothers

The Blom & Blom Brothers

Dear Martin, you collect, restore and sell the industrial design items from abandoned factories mainly in Eastern Germany (former DDR)… You and your brother created the label Blom & Blom. Tell me more about your common passion, background and how do you complete each other…

Ever since we were adolescents we always had a good relationship. We travelled together for half a year, and we visited each other frequently in Berlin or Amsterdam.

The reason why it is certainly not surprising we teamed up is because we are very complimentary to each other. Kamiel is the craftsman (background in Furniture-making/Photography/Video-making), and Martijn handles the business-side of things (background in Architecture and Business). We have our own qualities, and they fit together perfectly. 

Dragons lamp in old production area

Dragons lamp in old production area

How did it all start with the „industrial authentics“?

The industrial ghost-towns where the objects in our collection originate from, inspired us to do what we do. Each piece coming from such unique environment is ‘breathing’ its history, and represents its amazing atmosphere. Imagine a factory abandoned instantly, untouched for more than twenty years, and taken by the hands of time. Plant and trees grow through the floors, rainfall has slowly eating through the roof, and even wildlife returns. We do our best, but actually it is indescribable.

We have developed our own way of working in our search for industrial wastelands of the former DDR. When we scout for abandoned factories it is a combination of research, and a lot of ‘driving around’. You can do some general research to find industrial areas, but eventually it just comes down to scouting for signs like old chimneys, or railway tracks. Once a site has been discovered, we track down those responsible for the property by asking around the neighbourhood, or digging through DDR archives You get yourself in the most peculiar situations, and it takes a lot of effort to actually ‘rescue’ the pieces, but in the end it’s all worth it.

Abandoned laboratory

Abandoned laboratory

Have you always had an affinity for forgotten things and lost places? Did something special happen which triggered the birth of Blom & Blom?

Having lived partly Berlin, we are fascinated by the turbulent history of East Germany, and fell in love with the industrial heritage resulting from the fall of the Berlin wall in 1989. It all started with exploring abandoned industrial sites just for the fun of it. When we strolled an old laboratory, or a deserted military complex, we always had a split feeling. On one hand, there was our fascination for the amazing atmosphere of these places. On the other, our frustration that the industrial treasures they hold would ultimately end up in a dumpster. 

What triggered us to set up Blom & Blom was actually a combination of common interest en our personal situations. Years ago, Kamiel left for Berlin to start an online design studio together with three Dutch friends. After being successful for almost two years, they felt the urge to start something new. As a result, they made plans for a ‘Marketplace for authentic experiences’. Plans that resulted in what is now Gidsy – a company that raised 1.2 M seed investment, and is one of the leading Berlin start-ups. Although Kamiel knew this was going to be something big, he decided to ‘resign’ from the online world in order to go back to what he has always been interested in: making stuff using his hands.

As a result his degrees in Architecture, Business, and Social sciences, Martijn pursued a career in Business. After a couple of years working in the world of suits and meetings, it appeared that also he had an urge to actually ‘produce something real’.

A phone call between the brothers in which Kamiel put forward his ideas of dropping out of his current company, and doing something which the extraordinary objects he had found during one of his photography sessions at abandoned factories, were the 15 minutes in which Blom & Blom was founded.

Your customers do not buy just an item, but a rich and epic history – presented in a passport describing its particular origin and history. You revive the industrial design items to a new life in a new environment. Which stories do they tell us? What kind of historical buildings do they come from?

We hope that our pieces can be a representation of the unique history of the places they come from. Some of our lamps come from old factories, military complexes, or deserted laboratories. These places harbor a amazing atmosphere, it is like going back in time. Imagine a factory abandoned instantly, and being untouched for more than twenty years. It kind of feels like a human society that has been taking over by nature again. Plant and even trees grow through floor, rainfall has slowly eating through ceilings, and even wildlife returns.

    

Do you have a favourite item, you couldn’t separate from?

The funny thing is that every month we can have a new favorite lamp. Among these is certainly our Giant Lobster lamp. It is designed to be explosion proof, and therefore has such a functional, yet sophisticated appearance. My ‘latest favorites’ are definitely the lamps we currently create from old laboratory glass. These glass beaker are for me the perfect example of an object with a hidden beauty. It is a very functional object, but if you look with a different eye, you’ll find out that the glass is very special, and that the way it has been created is only a beauty on itself. It is an object that inspires us to reuse.

Blom & Blom Workshop

Blom & Blom has an own shop, which is in fact also your workshop, a former car repair shop in Amsterdam. Did you find this place per coincidence or you searched it on purpose?

We have searched for it on purpose. We’d grown out of our father’s old shed – where we had our first workshop – and were forced to find a new home. We wanted a place where clients could visit and experience our concept completely, so we sought a location where workshop, office, and store could be in one. We found an old garage in a beautiful industrial building. In the three months of intensive renovation that followed, we brought the building back to its original atmosphere, and ideally fitted our concept. The move to this new building was also a real step forward in our business model. By styling the space completely in line with our brand principles, we created a place where people could experience our work. In the store, our products are giving the attention they deserve. The lamps are displayed separately against a white and are featured with a photo of the place we have found it. In this way, people do not only see the value of the objects, they also can catch a little bit of the adventures we get into in finding these treasures. The opening of the store was a huge success, and gave a new boost to our business, and our brand experience.

Blom & Blom Lamp at Hutspot Amsterdam

Blom & Blom Lamp at Hutspot Amsterdam

Please tell us more about your customers. Do you have walk-in customers, online customers, a small circle of regular customers?

It’s hard to really border our client group. Our clients come from all over the world, both private persons and businesses. The main thing our clients have in common, is that the are all looking for a uniques piece with its own story. This could a private person that searches a special kitchen table light, or an architect that requires a custom made light for above a restaurant bar.

Image9 - Impression 4  

Paulina’s Friends is dealing with vintage clothing, carefully collected, restored and curated on our website and in our concept store in Bikini Berlin. What do you think about this idea and the connection between art, vintage & design?

The connection between art, vintage & design certainly makes sense. They all thrive on a creative cultural feeling, and all have a large story-telling aspect.

Dear Martin, thank you very much for this interview!

HEARTBEAT

HEARTBEAT

Heartbeat – Art in conversation with vintage fashion by Susanne Zinser
Dialog zwischen Kunst und Vintage Mode

The intervention of art and fashion is very ‘in’ in the contemporary design scene. Clothes reference visual art. Fashion is often used as a formal language of ‘free’ art, but both are indispensable in everyday life.

In the exhibition ‘Heartbeat’, a dialogue takes place between the paintings by Susanne Zinser and the Vintage designer clothing found in Paulina’s Friends concept gallery. Art and fashion meet on the same level, and this presents a great incentive to experiment with this flirtation – a game of mutual attraction and rejection.

Through the use of vivid, colour-intensive textures, Susanne Zinser’s artwork enchants. Both her themes and materials offer a poetic, feminine view of the world. If there is a word for the sensations evoked by her images, it is ‘synaesthesia’ – the unity of senses. They are passionate and full of emotion, both joie de vivre and melancholy. Their ability to touch occurs in the way a garment touches the skin. Some paintings recall a mix of different materials. When observing Zinser’s work, it may be that an old favorite blouse has now become a picture.

The aesthetic culmination of the exhibition is reached through the fusion of creations: art and fashion merge into an eclectic overall artwork and open up a new visual dimension. The formation of the compositions is a mixture of theatrical production and synergetic coincidence. Both take place intuitively in the moment.

Through the interplay of bright colors, organic forms, complex patterns and three-dimensional formations, a sense of harmony is captivated. The connecting elements are always the attraction, the coherence and the parallels between the art forms. This surrealist-futurist way of viewing speaks a postmodern visual language, thinking in perceived abstract realities.

‘Heartbeat’ embodies the idea of optical unity between art and life. It sensitises our visual habits and develops new ways of thinking, to strengthen the perception of art in our everyday urban environments. Paulina’s Friends encourage and are committed to the organic development of creative genres, without any definitions and conditions. This offers perspective for common confrontation with contemporary art – it should be communicative, interactive, unbiased – to set the grounds for a new creative lifestyle.

Ganz

Auf Reisen

Silencio

Zeit

LiveLife Berlin

LiveLife Berlin

LiveLife Berlin

Our living environment in the centre of art

London – Paris – Berlin – Moscow

Our creative agency collaborates with the Gallery Berlin-Baku on occasion of a very special exhibition dedicated to the essential topic of nature and environment, as well as the future of our planet from an artistic point of view. We are proud, that our artist Sabine Burmester belongs to the three german participatns.

LiveLife - Berlin Baku

Elephants: 93 % Rhinos: 94 % Lions: 97 %. These wild animals have disappeared in the past 100 years. According to Global Trees, 9,600 tree species are affected by extinction. 183,000 birds die every day in the US through pesticides, reports Greenpeace.

Nature and environment are in danger! This topic and preserving the beauty of nature are on focus of “LiveLife Berlin”. Nine artists from Azerbaijan and Germany: Fine artists, photographers, video and installation artists want to inspire us to reflect on the future of our Earth with their artwork.

The dialogue between Azerbaijan and the respective host country is the principle of the “LiveLife” exhibitions. After the successful presentation in London and Paris, the exhibition is now shown in the German capital and will then continue to Moscow. Thus “LiveLife Berlin” is specially made for Berlin.

The remarkable artwork of Leyla Aliyeva is showcasted together with the artwork of the invited German artists – Sabine Burmester, Sandra Hoyn, Peter Lindenberg – and the Azerbaijani Fellow Artists Maryam Alakbarli, Ragim Chopurov, Aylel Heydarova, Timur Ozdamirov and Naila Sultan.

Foto für Einladung Berlin-Baku

Hervé Mikaeloff, a native Frenchman and graduate of L’Ecole de Louvre, was the curator of the Azerbaijani Pavilion of the 2013 Biennale in Venice. In 2012 he curated the exhibition “Fly to Baku. Contemporary Art from Azerbaijan ” at the “me Collectors Room”, which was shown in London, Paris, Vienna, Rome, Moscow, Baku and Berlin.

This exhibition is organized by IDEA, International Dialogue for Environmental Action. This initiative was founded in Baku in 2011 by the artist Leyla Aliyeva. IDEA’s mission to create open and sustainable awareness of the environment in present and future generations is based on four pillars: dialogue, action, leadership, education.

Leyla Aliyeva, Vice-President of the Heydar Aliyev Foundation, is committed to preserving nature through her artwork and the IDEA initiative. “Beauty comes from the harmony between mankind and nature, and our goal is to preserve nature in all its diversity, to protect it and to ensure it for the next generation,” she wrote in an interview for the “LiveLife” project.

Dimitra Zavakou, founder of Little Popup, was invited to devise a creative art program exclusively for children concerning the “LiveLife Berlin” exhibition, in order to sensitize the protection of nature and the environment through the exhibited works of art. The art workshops will take place on Valentine’s Day, February 14, as part of a class excursion, and on Sunday, March 12, from 1-3 pm, as an open offer for children aged 7 to 8 years. Application at: LiveLifeBerlin@galeriebb.de

We look forward to welcoming you!

Paulina Tsvetanova & the organisors:

Organisatoren und Partner LiveLife

Opening on sunday, February 12th, 12-14 h

14.02.2016 – 15.03.2016

Galerie Berlin-Baku
Großgörschenstr. 7
10827 Berlin

Opening times:
Tue-Sa 11-18 h

Galerie Berlin-Baku

EVENTS

EVENTS

Romanian Autor – art magazine and fair

Romanian Autor – art magazine and fair

Romanian Autor – art magazine and fair

Interview with Dan Piersinaru, founder of Autor Art Magazine and Fair

Text: Paulina Tsvetanova

Autor Magazine Contemporary Jewelry

Dan Piersinaru

Dear Dan Piersinaru, you are the founder of Autor – an open and active platform for contemporary jewelry designers in Romania. Tell us more about your background?

My main background is within visual arts. I have studied fine arts for 10 years and have begun my work as an artist by expressing myself through photography and video, mainly, and through contemporary art installations as well. When I am asked what I do, my answer is: I am a visual artist. It is what defines me. At the same time, I realise that it is, indeed, lacking precision, to say that you only have one background. After all, our background always consists of a multitude of things that contextually define different periods of our lives.

Autor 2016 - International Contemporary Jewelry Fair

How was born the idea of Autor Magazine?

The idea behind the Autor Magazine appeared in 2013, from my then-collaborator, Oana Tudoran. We met in London and she pretty much told me then: Dan, it would be really cool if you made a contemporary jewelry magazine! She is an extremely talented creative and I knew that, working with her, would lead to a wonderful project. So I told her, “If you’re in, we’ll make this magazine happen together”. It was a challenge, I had no idea what publishing a magazine implied.

The magazine has been released twice yearly?

Our initial wish was that Autor Magazine come out twice a year. Yet, I understood that for such a magazine of contemporary jewelry design, publishing it once a year is sufficient.

Autor Magazine has a very well defined concept. It intends to present contemporary jewelry in relation to the human body. Each edition has a different theme. We create a submission with at least three months in advance, receive proposals from artists and then select those proposals that we consider most innovative, connected to the proposed theme, and the relation between the jewelry piece and the human body.

faur-roma-inspiration-jewellery-by-nadja-zerunian-nevers-mesteshukar-butiq

“Faur” – Roma Inspiration Jewellery by Nadja Zerunian & Nevers Mesteshukar Butiq from Romania ★ Selected for AUTOR 2016 Faur is the third collection made by the Austrian designer Nadja Zerunian and the Roma craftsman Nevers (Radu Ion) under the social project Mesteshukar ButiQ. The collection is inspired from the old Roma legends and it is an investigation into the past of the travelling Roma people. Through out the centuries the Roma people travelled the world and enriched themselves with the knowledge of craft. They became some of the best silversmiths creating amazing jewellery items that are now preserved by unique techniques and artistry.

What is the USP of the Autor Magazine compared to other magazines such as Art Aurea, Current Obsession, and platforms like Klimt, AJF?

First of all, Autor Magazine is an experiment. It is part of the Autor platform and, at this moment, it doesn’t have a commercial component to pressure us. What we are keen to do through this magazine is express our creativity and vision regarding contemporary jewelry. Autor Magazine is, first of all, a pet project. I don’t know how the other magazines are published, but all I can say is that, surely, coming up with such a project in print is not an easy thing to achieve today. I am pleased and glad that there are other similar magazines coming out and I wish for them to continue on with the wonderful projects that they have begun. Autor Magazine is a physical object at the moment; it does not have a digital extension as of now.

do-you-read-me

Autor @ do you read me?!

Who are your international partners?

We have great collaborations with Chrome Yellow Publishing (UK), Alchimia Jewelry School (Italy), Joya Barcelona, Athens Jewelry Week, myday-byday (Rome), Galerie Ra (Amsterdam), Galerie Beyond (Antwerp), Moquii, do you read me?!, Paulina’s Friends (Germany), and many others. These are friends who believe and back up our every endeavor in promoting and selling the magazine.

Photo Credits: Ionut Dobre

Autor Contemporary Jewelry Art Fair, Photo Credits: Ionut Dobre

In addition you founded the Autor art jewelry fair, right? Tell us more about this initiative…

Autor, the international contemporary jewelry fair, is our first project, which began in 2009. Later on, it became a platform that now includes the Autor magazine, a website, and a promoting mechanism for young artists from the contemporary jewelry design domain through the awarding of special prizes meant to stimulate and help them in this field.

Do you have an own gallery?

Not yet 🙂

Autor bijuterie contemporana, Autor magazine, revista de bijuterie,Autor contemporary jewelry fairconan prdan piersinaruliana vasilescuionut dobreanca adina cojocaruandreea dragutelena bululeteautor team

Autor Team

Meanwhile you are recognized beyond the borders of Romania. How did you manage this? How big is your team?

At this moment, the Autor fair is 60% international. Our development in an international direction began in 2013 and it is in a continuous expansion ever since. My only explanation is that I owe it to social media. Our entire development, both locally and on an international scale, has been organic. The main team behind the event is composed of two people, and at times, when we have ongoing projects, the team may grow to up to six people.

the-human-soul

“The Human Soul” collection by Lucienne’s jewelry ★ Selected for AUTOR 2016 Foto: Egor Tetiushev Models: Alexandr – homeless & Ilinca Emanuelle Pendant: “Reborn” Crown: “Psiheya” – between Up and Down” Materials: gold leaf, bone, horsehair Fashion design: Iulia Glibiciuc

The art jewelry market is a very special one. How would you describe its features and differences to the rest art market?

If we are to compare the two fields, my first thought regarding art jewelry would be that it is always in a relation with the human body. It is an aspect that should not be neglected when we think of what the difference is between the art market and the contemporary jewelry market. A jewel remains just that even when it is a piece of art, when it is worn, taken out into the world and perceived in relation to its owner.

Photo Credits: Ionut Dobre

Is Romania an important country in the art jewelry market and why?

Every place, every country has a special role to play in the contemporary jewelry domain. Every country has its specific, and this is extremely important because it maintains its variety and creative spirit. Romania has its important role in this field, and what we are doing right now is to define the future alongside other creative areas in the world.

AUTOR 2016 ★ By Corrina Goutos – representing Germany, from America ★ Based on my exploration of the archetype of The Souvenir, my current collection looks at the things we take, imbue with a memory, place or moment, and the objects and traces that we leave behind in the process. The ephemeral dialogue between man’s rituals and nature’s forces; between environment and inhabitants. In a culture of convenience, consumption and transience, I seek out the lost and found objects and site installations that have the memory of a person. They are the unfinished stories of affection, and neglect, visible in objects we interact with.

Does the Romanian society support your initiative? What could be improved? Your perception on chances, perspectives, risks and opportunities there?

We wouldn’t be where we are today without the Romanian society! There are many things that could be further developed regarding the creative industries in Romania and Eastern Europe. We are confronted by certain aspects that, for example, in Western Europe have long been settled. One of them has to do with the lack of adequate spaces to sustain and develop a fair in, be it addressing jewelry or contemporary art. The risks are connected to the fact that, in the absence of special attention from the state towards these creative fields, it can in time block their development. The opportunity mainly consists of the fact that things are only just beginning and have this pioneering component, and so there is plenty of curiosity and openness from the public towards these fields. Curiosity, the wish for evolution, discovery, and research, are all elements which make society alive and vibrating.

Thank you, dear Dan, for this interview!

helmi_lindblom

Helmi Lindblom